Die Partei, 's statue representing the spirit of the Art of Nazi Germany pertains to the government approved art produced in between 1933 and 1945. Upon becoming dictator in 1933, gave his personal artistic preference the force of law to a degree rarely known before. In the case of Germany, the model was to be and, seen by as an art whose exterior form embodied an inner racial ideal. It was, furthermore, to be comprehensible to the average man. This art was to be both and. The Nazis viewed the culture of the with disgust. Their response stemmed partly from conservative and partly from their determination to use culture as.

Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Theory [ ] As indicated by historian Henry Grosshans in his book Hitler and the Artists, Adolf Hitler who (quote): 'saw Greek and as uncontaminated by Jewish influences. Modern art was [perceived by him as] an act of aesthetic violence by the Jews against the German spirit. Pro Landscape 17 Cracked S60 V3 Emulator there. Such was true to Hitler – wrote Grosshans – even though only,,, and, among those who made significant contributions to the German modernist movement, were Jewish. Took upon himself the responsibility of deciding who, in matters of culture, thought and acted like a Jew.' The supposedly 'Jewish' nature of art that was indecipherable, distorted, or that represented 'depraved' subject matter was explained through the concept of degeneracy, which held that distorted and corrupted art was a symptom of an inferior race. By propagating the theory of, the Nazis combined their with their drive to control the culture, thus consolidating public support for both campaigns. Their efforts in this regard were unquestionably aided by a popular hostility to Modernism that predated their movement.