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In 1995, with much acclaim, Sony released the OXF-R3 console, better known as the Oxford. The English company, Oxford Digital Limited, which was purchased by Sony shortly before the Oxford's release, initially developed the desk with the high-end studio market in mind. The Sony Oxford is considered by many to be the finest desk ever created.

Product Points Applications: Studio, post production Key Features: 48/channel, fully automatable digital console; comprehensive sync I/O; 12 mic preamps; additional options available Price: $20,000 Contact: Sony at 800-686-7669 Plus + Outstanding sound quality + Extremely flexible operative design + Multiple consoles can be linked + Price Minus - Title data has to be saved to floppy disks - No offline editing of automation The Score: It would be difficult to find a console that could compete with the DMX-R100 without spending $75,000 or more. The desk is extremely flexible, easy to use and most important, it sounds fantastic. Unfortunately, at a cost of a half million dollars, only the world's top studios can afford the Oxford's quality sound - until now. By creating a scaled-down version of the Oxford with the same first-rate sound, the affordable ($20,000) Sony DMX-R100 is becoming known as the 'Baby Oxford.'

The DMX-R100 fills a huge void in the console market. It provides an option for the studio in need of a powerful digital console that is sonically superior to the vast selection of low-priced digital desks available today, yet is only a fraction of the price of the high-end Sony Oxford, SSL Axiom and AMS Neve Capricorn digital desks. Features The Sony DMX-R100 is a 48-channel fully automated digital mixing console. The 47.25-inch wide by 10.65-inch high by 27.25-inch deep desk includes 25 motorized faders (with a resolution of 1,024 steps), a built-in monitor that doubles as a control surface, a digital routing matrix and a fully integrated automation package. The 24-bit desk weighs 121.25 pounds and operates at 44.1, 48, 88.2 or 96 kHz. The desk's performance specs are particularly impressive. The typical Line In to PGM Out frequency response is 20 Hz to 20 kHz +/-0.2 dB with a THD of 0.01 percent at +4 dB, 1 kHz.

The typical Mic In to PGM Out is 20 Hz to 20 kHz +/-0.3 dB with a THD of 0.06 percent at -60 dB, 1 kHz. The Line In to PGM Out dynamic range is 104 dB. Baixar Musica Infected Demon Hunter here. The console's rear panel provides an extensive selection of connectors to allow the R100 to adapt to nearly any situation. In addition to these standard connectors, four slots allow for additional I/O options (see below). The R100 has an internal power supply, so a standard IEC power cable connected to 120V AC power and a flip of the power switch (also located on the rear panel) are all that is needed to power-up the desk. The R100's supply doesn't need a cooling fan and there is no internal hard drive - the console is completely quiet. The R100 has 42 analog inputs.